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As you can see, the audio editing application includes the ability to view multiple tracks of audio in their specific waveform form, as well as the ability to add volume changes, color correction, noise reduction, compandions, equalization and the spectrum analyzer. Audition also includes useful editing tools such as the erase button. The erase button allows you to remove unwanted sections of audio from the track in question without affecting the overall length or quality of the audio file.
For the most part, Audition is fairly intuitive for use. Audition has a nice selection of tools that make video editing straight forward. We imported a wide variety of video files into Audition to test for compatibility. The software supported all of the video formats that we tested for including MPEG1, MPEG2, MPG1, MPG2, MPG4, H.264, FLV, MOV and WMV.
When we first used Audition, we were greeted by a full selection of tools. We selected the tool that we used for all of the testing we performed on Audition. We selected the Easy Tag panel first. It lets you assign or tag certain clips of audio. This helps you manage your audio when you want to record multiple takes of the same audio files. This tool allowed us to tag a specific clip of audio as something like vocals, etc.
To begin with Audition has three audio tracks. The default setting is Mono, which keeps the audio in one channel. You can separate the audio into multiple tracks which saves you having to make cuts and segments in one audio file. Each track can have individual effects on it such as a build up of a reverb, or a de-hiss filter. Once you have edited the individual audio channels, you can create a waveform display for each individual track. This is where we found the real differences in Audition and Premiere Pro. We were able to create and export waveforms and cut them up into smaller parts and then re-combine them.
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Audition is such a pleasure to use because it’s an intuitive Adobe tool with an interface familiar to Photoshop users. I’ve been using the Essential Soundpanel in Premiere and listening to and tweaking Audition’s sonic controls during production for the last three years. The Essential Sound panel doesn’t do anything fancy, but the toolset is easy to master and results are immediate.
For the last three years, I’ve been using the Essential Soundpanel in Premiere and listening to and tweaking Audition’s sonic controls during production for the last three years. The Essential Sound panel doesn’t do anything fancy, but the toolset is easy to master and results are immediate.
A year ago, Adobe Premiere Pro released a feature called the Lumetri Color Panel which concentrated the incredible color correction tools in the rather complicated Adobe SpeedGrade application into a very approachable set of tools accessible to almost anyone. Expert-level color manipulation and calibration workflows had previously been a foreign language to many editors, but the intuitive tools and friendly labels of the Lumetri panel helped all of us become more familiar and embracing of consistent, dynamic color in our productions.
While the Essential Sound panel abstracts these complex effects and tools as simple sliders, they are actually mapped to Audition’s powerful, native effects, controlling several parameters at once to ensure great results without getting lost among the plethora of parameters many of our effects offer. If you open the Effects Rack and select Clip Effects at the top, you can see exactly which effects the ESP is adding or removing as you toggle the checkboxes on and off. And if you’d like to see precisely what the ESP is doing, you can open the effect UI and watch it adjust as you change the slider.
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Main benefits of Adobe Audition
Audition now has a wide range of features designed to improve the way a song sounds, as well as how well it is edited. With the introduction of Remix, Audition now has a feature which is designed to let a budding musician experiment with new songs. Tracks that are created in Remix can be exported in the main format, but also as a simple audio file or MIDI file. Both of these can then be included in a video clip. While this is undoubtedly easier than teaching a user to build out a whole song using Audition’s powerful tools, it still lets a user release an audio sample of their original composition. The advantage to this is that you can give the audio to someone else and they can use their favorite audio software to add effects to it, sync it to a video project, or use it for other purposes. Features like the Auto-Transducer and the expanded Loudness Meter can be used to synchronize audio to video. Another great new feature, the added Signal Processing section, provides access to the same processing functions as the Pro Tools Advanced Room Tools. The MIDI Remapping section provides easy access to a range of features from LUTs to key switch remapping, allowing a user to fine tune the onscreen representation of a section to match the sound they’re working on. There’s also the addition of the internal Recording Standards, which lets you use the OS’s built-in microphone settings or turn on an external microphone for any project.
Audition CS5 now has two new toys. The first is its “Replay” feature. With this, a user can view and edit clips from within the program, with whatever changes they make being preserved when you next export the project. The second is a new feature called “Effects,” which lets you chain together a series of simple filters and gain controls in a single audio clip. Using this, users can apply equalization, adjust the overall volume, place a low or high pass filter, or add a chorus effect to any audio clip in a project at any time. For those who are used to working in the UI, “Effects” will feel like an instant filter, while the easy-to-use and responsive UI will feel similar to a digital mixer. If you know how to use EQs, compressors, and flangers, you can do all of these things right from the new “Effects” window. Finally, users will appreciate that the program’s filenaming now matches that of the project, when both are set to the same album, album art, or artist. Now that the program can sync between folders and project files, Audition is easier to manage than ever.
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Adobe Audition System Requirements
- Supported Operating System: Windows 7 or Windows 8.1 or Mac OS X 10.8 (Mountain Lion) or higher
- Compatible Adobe Creative Suite 6 software (CS6)
- Compatible Adobe Creative Cloud software (CC)
- Available free software updates
What’s new in Adobe Audition
- More features, including easier audio effect automation and greater ease of use.
- New MIDI and MusicXML support.
- New Smart Zoom filters, Smart Columns, and Smart White Balance tools.
- Switch to the headphone jack on Macs, with four new waveform views.
- Export to Soundforge with the new, non-destructive waveform and MIDI export.
- Adds a new Compressor type, with customizable settings for both compression and limiting.
- Adds the ability to edit audio delay, one of the best features on any DAW.
- Built-in microphone equalizer for recording.
- New full-function waveform and MIDI editors.
- New double-control sound remover.
- New interface with a new look and feel.
- New effects like stereo image control and panner.
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